How can recycling influence our work on architectural form and space? In this way accumulation can actually lead to both minimal consumption and recycling, which are important steps towards sustainability. You get a physical memory of your past as well as the possibility for planning ahead and save for later. If given the ability to store their accumulations, a person can live differently than someone without traces. Nevertheless, could it be necessary to understand the sausage for a sustainable future? It’s true that the complexity and scale of accumulation can be unnerving and as the saying goes: you don’t want to know how the sausage is made. Instead it is suspiciously missing from the public imagination, hidden away as some-thing necessary but unsightly. With the increased focus on accumulation of capital, goods and data in today’s society, you’d think that spaces of accumulation would be an essential part of our daily lives. Is the traditional storage still valid today? What can spaces of accumulation mean for architecture? What are the pyramids if not an accumulation of stones? One possible answer would be to say that they are storage an architectural response to accumulation as old as time itself. Architecture is also subject to the law of accumulation, as buildings do not appear in an instant, but are gradually put together on the building site. It is the law by which many great things operate, such as civilization, history, economy and not least the formation of planets. Each of these architectural objects is an ideal house.Īccumulation describes the gradual gathering of elements. The medium of the semester‘s second half is the large scale model. Bare of the necessity to fulfill a certain function, a small piece of furniture and a large house are quite alike, as objects both are shaped by formal coherence and constructive, material decisions. Whether out of a discovered principle or a very personal fascination, each group develops an independent and experimental design: a piece of furniture, a domestic object. Playfully and at the same time systematically, we work on a shared vocabulary of architecture.įinding one‘s own architectural language within the vast vocabulary of architecture is the most important but also most difficult task for an architect - and therefore the task of the second half of the semester. Through drawings, not just mere representations, but inspired and personal depictions of these architectures we develop together a collective, common repertoire of timeless architecture. The result of this process is our own Torino typology. Together we discover, examine and document each house, discuss and develop criteria and categories, in order to eventually compare and order them. We start our common journey of discovery with an analysis - open and experimental, but also systematic and critical. Based on selected examples of both anonymous structures and famous buildings, we study the urban architecture of Torino. We start the semester with a three-day excursion to Torino, the northern Italian city on the Po River at the foot of the alps, capital of the Savoy dynasty and briefly of Italy, with its gridded center and city blocks, early worker’s villages and industrial settlements in the suburbs. By combining typological, general principles with an individual, specific scenario, we will design a large housing project in the city of Basel that, through a real context and a concrete materiality, will translate the vision initially formulated into a real architecture. Our extensive studies and the large collection of examples from Torino, our own typology, have already provided us with a wide range of formal and functional solutions and principles that could prove useful for envisaging the spaces. Paradoxically, we do not have to reinvent everything for this visionary architecture. In the second step we transform the spatial, typological and formal system of the buildings by means of plan collages. Step by step we develop pictorial representations of our scenarios. In the picture plane of the collage, the objects of everyday life enter into a relationship with people and space. The scenarios will be developed in the first step by using collages. will provide a reasonably solid basis for visions and scenarios of tomorrow‘s housing. Critical texts, expert presentations, joint discussions and statistical data on society, climate, housing, etc. The object-like house is replaced by an open question: What is home? What does it take to feel at home? And to what extent do demographic developments, changing role models or the climate crisis have an impact on the forms of housing? By speculating on these questions, we will try to imagine a future home. In the first semester, the two methods - analytical-rational planning and artistic-personal design - are still put side by side.
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